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Here is little Quicktime movie shot at our club.
(Mike O'Brien)

The three
major railroads that ran in Los Angeles: SP, UP and ATSF.
Their locos are posed coming out of our Los Angeles Union Passenger Terminal
yard throat.
Photo by Chris Keller.

Santa Fe F-3
up close and personal.
Photo by Mike O'Brien.

An SD works
the branchline in the background while a Santa Fe F unit consist glides
over a bridge.
Photo by Mike O'Brien.

Daylight color
schemes the SP experimented with.
Locos by Ed Sikora. Photo by Mike O'Brien.

Whoosh! Are
we really rolling that fast into a yard?
Photo by Mike O'Brien.

An Espee SD7
(in the tigerstripe paint scheme) yards a short freight train.
Photo by Mike O'Brien.

Wow! Black
widows at dawn!
Photo by Mike O'Brien.

"Pumpkin"
Espee F unit at our Taylor Yard engine service area.
Photo by Mike O'Brien.

More Black
Widows than you've ever seen at once!
Photo by Mike O'Brien.

Tidewater
Southern RS-1 747 works a switch job on our Interurban branchline.
Photo by Mike O'Brien.

A big and
brutal UP turbine unit passes an ALCO diesel set.
Locos by Tim Tschappat, photo by Mike O'Brien.

A pair of
Western Pacific "Bicentennial" diesels, nos. 1776 and 1976,
meet a regular WP F unit at the road crossing at Burbank.
Locos and photo by Ed Zeis.

Cotton Belt's
Bicentennial painted unit waits at our Saugus depot.
Photo by Scott Sackett

Amtrak F-59
poses in front of Glendale Station.
Loco and photo by Ed Sikora.

Santa Fe F
units look (and are) new and shiny.
Locos by Tim Tschappat; photo by Rod Stanley.

Santa Fe F
units roar up the hill above Saugus with a train of passenger cars.
Locos by Tim Tschappat; photo by Rod Stanley.

Espee experimental
paint schemes from overhead.
Locos by Ed Sikora. Photo by Mike O'Brien.

Espee F-7s
stop at Mojave station.
Locos by Don Bergmann; photo by Scott Sackett.

Espee F-7s glide into Lancaster with a train of Daylight passenger cars.
Locos by Don Bergmann; photo by Scott Sackett.
Real action! Pacing Rod Stanley's BNSF loco across the layout!
This Quicktime was made with a digital still camera by Mike O'Brien.
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